By Erika Balsom
From the sale of movie in restricted versions at the paintings marketplace to the downloading of bootlegs, from the singularity of stay cinema to video artwork broadcast on tv, Erika Balsom investigates how the reproducibility of the relocating snapshot has been embraced, rejected, and negotiated via significant figures together with Stan Brakhage, Leo Castelli, and Gregory Markopoulos. via a comparative research of chosen distribution versions and key case reports, she demonstrates how the query of picture flow is critical to the background of movie and video artwork. After Uniqueness indicates that distribution channels are greater than impartial pathways; they confirm how we come upon, interpret, and write the heritage of the relocating photograph as an artwork form.
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Extra resources for After Uniqueness: A History of Film and Video Art in Circulation (Film and Culture Series)
After Uniqueness: A History of Film and Video Art in Circulation (Film and Culture Series) by Erika Balsom